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Sunday, May 3, 2020 | History

2 edition of fantastic for the realist: the paranormal fictions of Dickens, Turgenev and Maupassant. found in the catalog.

fantastic for the realist: the paranormal fictions of Dickens, Turgenev and Maupassant.

Nancy Traill

fantastic for the realist: the paranormal fictions of Dickens, Turgenev and Maupassant.

  • 80 Want to read
  • 10 Currently reading

Published .
Written in English


The Physical Object
Pagination343 leaves
Number of Pages343
ID Numbers
Open LibraryOL15428872M


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fantastic for the realist: the paranormal fictions of Dickens, Turgenev and Maupassant. by Nancy Traill Download PDF EPUB FB2

Dickens's, Turgenev's, and Maupassant's stories represent three distinct subtypes of paranormal fiction--the epistemic, the psychological, and the philosophical--a variability undoubtedly linked to specific features of each writer's oeuvre, to his artistic inclinations and stylistic individuality.5/5(1).

Nancy Traill has written: 'The fantastic for the realist: the paranormal fictions of Dickens, Turgenev and Maupassant' Asked in Authors, Poets, and Playwrights What has the author Philip Eliasoph.

Who was an author that was a realist. Unanswered Questions. What is marge simpson's catch phrase. How do the lives of the characters weave the central conflict of the story based on the story of a.

Possible Worlds of the Fantastic: The Rise of the Paranormal in Literature. U Toronto P (), ix + pp. $ Possible Worlds of the Fantastic is a modest but useful modal study of the genre of the fantastic, based on Traill’s dissertation. Traill restricts her analysis to two complementary foci: a typology of the sub.

The Fantastic for the Realist: The Paranormal Fictions of Dickens, Turgenev and Maupassant. Ph.D. Dissertation, University of Toronto, [See also Traill ].

Zola, Maupassant, Turgenev, and Tolstoy join Thomas Hardy as Schopenhauers nineteenth-century heirs, in a tradition that goes on through Proust, Conrad, and Thomas Mann to culminate in aspects of Borges, and Beckett, the most eminent living writer of narrative. book” where “the new fantastic is identical with a technology.” 51 Thus, while Todorov’s definition was formulated to comport to the literary fantastic of the hermeneutic field, this does not mean that an adaptation of the definition to a media-ecological frame-work should in any way be seen as a critique of its original Size: 8MB.

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